All Bela Ivanyi-Grunwald Oil Paintings

(6 May 1867 - 24 September 1940) was a Hungarian painter, a leading member of the Nagybenya artists' colony and founder of the Kecskemet artists' colony. Born in Som, Ivenyi-Grenwald began his artistic studies under Bertalan Szekely and Keroly Lotz at the Academy of Fine Arts in Budapest (1882-86) and continued them at Munich in 1886-87 and at the Academie Julian in Paris from 1887 to 1890. From 1891 he again worked in Munich; in 1894 he travelled with Ferenc Eisenhut to Egypt, where he painted several oriental-themed works. Beginning in 1889 he had regular exhibitions at the Palace of Art in Budapest. Characteristic of his early pictures is A Hader kardja ("The Warrior's Sword", 1890), a proto-Symbolist treatment of rural genre showing the influence of Jules Bastien-Lepage. After his return to Munich, Ivenyi-Grenwald painted a large-scale genre painting entitled Nihilistek sorsot heznak ("Nihilists Drawing Lots", 1893), a work as notable for its dramatic use of chiaroscuro as for its deeply felt subject-matter. In response to a state commission for the 1896 Millennium Exhibition in Budapest he produced an enormous academic history painting.
 

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Bela Ivanyi-Grunwald Still-life oil painting


Still-life
Måleriet Identifieringen ::  74525
Still-life
before 1903(1903) Oil on canvas 63X50.5 cm cjr
   
   
     

Bela Ivanyi-Grunwald Woman by the Water oil painting


Woman by the Water
Måleriet Identifieringen ::  74835
Woman by the Water
1897(1897) Oil on canvas 81X99 cm cjr
   
   
     

Bela Ivanyi-Grunwald Ave Maria oil painting


Ave Maria
Måleriet Identifieringen ::  75210
Ave Maria
1891 cjr
   
   
     

Bela Ivanyi-Grunwald Shepherd and Peasant Woman oil painting


Shepherd and Peasant Woman
Måleriet Identifieringen ::  75235
Shepherd and Peasant Woman
1892(1892) Oil on canvas 100X120 cm cjr
   
   
     

Bela Ivanyi-Grunwald Still life oil painting


Still life
Måleriet Identifieringen ::  76062
Still life
before 1903(1903) Medium Oil on canvas Dimensions English: 63x50.5 cm cyf
   
   
     

  2  3  4   NÄSTA
FÖREGÅENDE KONSTNÄR       Nästa Konstnär     

     Bela Ivanyi-Grunwald
     (6 May 1867 - 24 September 1940) was a Hungarian painter, a leading member of the Nagybenya artists' colony and founder of the Kecskemet artists' colony. Born in Som, Ivenyi-Grenwald began his artistic studies under Bertalan Szekely and Keroly Lotz at the Academy of Fine Arts in Budapest (1882-86) and continued them at Munich in 1886-87 and at the Academie Julian in Paris from 1887 to 1890. From 1891 he again worked in Munich; in 1894 he travelled with Ferenc Eisenhut to Egypt, where he painted several oriental-themed works. Beginning in 1889 he had regular exhibitions at the Palace of Art in Budapest. Characteristic of his early pictures is A Hader kardja ("The Warrior's Sword", 1890), a proto-Symbolist treatment of rural genre showing the influence of Jules Bastien-Lepage. After his return to Munich, Ivenyi-Grenwald painted a large-scale genre painting entitled Nihilistek sorsot heznak ("Nihilists Drawing Lots", 1893), a work as notable for its dramatic use of chiaroscuro as for its deeply felt subject-matter. In response to a state commission for the 1896 Millennium Exhibition in Budapest he produced an enormous academic history painting.

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